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Encouraged by her mother and sister to value material wealth and social status, she unenthusiastically joins them in their abrasive behavior. Gabrielle (C4-G5): Ella’s stepsister and daughter of Madame. Has a crush on Gabrielle, though their courtship is forbidden because they are from different social classes. A firebrand, but lacks authority and isn’t take seriously as a revolutionary. Jean-Michel (C3-G4): A feisty, passionate peasant determined to make a change for the starving class.
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Moral, genuine and kindhearted, he is at a crossroads and must take control of his kingdom and his future. Charming but NOT a stereotypical ladies man, he is thoughtful, appealing, and innocent – with an unforced goofy streak. Though brave and heroic, he feels lonely and unfulfilled. Topher (C#3-A4): A misguided and lost prince who longs to do something important with his life. We see her blossom into a confident woman. Always her late father’s daughter, she is determined to see good in everyone despite her hardships and suffering. Idealistic and hopeful, she courageously challenges the prince to change the policies in his kingdom – and helps him discover who he truly is. Questions: Please email Director Katie Swimm at (descriptions from the script by Douglas Carter Beane)Įlla (B3-Eb5): Though no one notices her beneath her rags and quiet demeanor, she is opinionated, charismatic, passionate, beautiful, and funny. We are happy to see teen actors, ages 16+. Those auditioning can & will be considered for every role. You may unmask once onstage for your audition.Īctors will not be asked to dance unless they are invited to callbacks on Sunday, December 19th.Īll roles are available to anyone, regardless of race, gender, or ability Upon arrival, please be masked and prepared to show proof of vaccination. The familiar story, sharp script updates, and rich music yield a magical concoction of musical theater for the whole family.Īll actors must be fully vaccinated. Her fairy godmother magically provides a gown, a coach and, yes, glass slippers. The story’s structure ought to be familiar: Cinderella (with help from her fairy godmother) goes to the ball to meet the prince, despite poor treatment from her stepmother and her two stepsisters. Tony-nominated playwright Douglas Carter Beane has updated the script, adding nuance and poignancy with a modern slant.
#SENSE AND SENSIBILITY SCRIPT COTTAGE MONOLOGUE TV#
Cinderella was a smash when first televised in 1957, with a vast majority of the homes in America tuning in to see Julie Andrews perform the title role (re-done on TV in 1965). In the 1950s, they were given a unique opportunity to create the first musical specifically for the small screen. Rodgers and Hammerstein are synonymous with American musical theater. New Book by Douglas Carter Beane Original Book by Oscar Hammerstein II Music by Richard Rodgers, Lyrics by Oscar Hammerstein II